Category: Crime, Mystery & Thrillers / Crime & Mysteries
Publisher: Little, Brown Book Group
Publication date: 1 September 1997
Number of pages: 560
Prizes: Shortlisted for International IMPAC Dublin Literary Award 1998.
Shortlisted for IMPAC Dublin Literary Award 1998.
Shortlisted for Booker Prize for Fiction 1996.
Sometimes I whisper it over to myself: Murderess. Murderess. It rustles, like a taffeta skirt along the floor.' Grace Marks. Female fiend? Femme fatale? Or weak and unwilling victim? Around the true story of one of the most enigmatic and notorious women of the 1840s, Margaret Atwood has created an extraordinarily potent tale of sexuality, cruelty and mystery.
Margaret Atwood's compelling novel is based on the true story of one of Canada's most notorious 19th-century murders. A poor servant girl, Grace Marks, just 16 at the time, was jointly accused of the murder of her master, Thomas Kinnear, and his housekeeper, Nancy Montgomery, who were living in a thinly-disguised common-law marriage. Her co-accused James McDermott, another servant, was widely assumed to be her lover, but their true motive for the killings was endlessly speculated on and never discovered. 'It is not the culprits that need to be forgiven; rather it is the victims, because they are the ones who cause all the trouble.' This is Grace's conclusion. Her dry wit and often biblical turn of phrase sharply flavour this novel, which looks with intelligent amusement and a good historical sense at the clashes of id and superego, the need for order and rationality versus the yearning for drama and mystery. The story unfolds as a kind of detective story. The self-possessed Grace is an enigmatic challenge to the young neurologist who hopes to lift her partial amnesia and make his name. It is to him that she tells her story, which, from her short and wretched Irish-immigrant childhood to her abortive escape from rural Canada with the killer, shows the stays of women's lives pulled tight. Her subsequent long years of reflection have resulted in a deep cynicism combined with the innocence of one who has spent all her adult life locked away. Almost gleefully, Atwood raises awkward questions: What is buried in the cellar? Who is listening at the door? And is the voice speaking through us always our own? In an interesting subtext the excerpts from contemporary newspaper reports introduce each chapter and the treatment Grace Marks received at the hands of the press makes particularly salutary reading in the light of modern tabloid reporting. (Kirkus UK)
What the papers say:
A sensuous, perplexing book, at once sinister and dignified, grubby and gorgeous, panoramic yet specific...I don't think I have ever been so thrilled...This, surely is as far as a novel can go Julie Myerson, INDEPENDENT ON SUNDAY Brilliant...Atwood's prose is searching. So intimate it seems to be written on the skin Hilary Mantel Margaret Atwood is to be congratulated Anita Brookner, SPECTATOR The outstanding novelist of our age Peter Kemp, SUNDAY TIMES
Margaret Atwood is Canada's most eminent novelist and poet. She has won many awards including the SUNDAY TIMES Author of the Year Award and she has been shortlisted for the Booker Prize three times.
In Stock: 14 copies